The "Organization" will go to any lengths to sell their drugs. But this time, they made a mistake... a big mistake. They never counted on The Chinese Tiger, Master of Kung-Fu.

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Professor Wilkens has invented a formula for a new type of fuel and puts it on a microfiche that he sends to his daughter and her bodyguard, but multiple different mysterious groups, including the "Chinese Carnation", would kill to get their hands on it.

The story follows a slew of museum art robberies that occurred in Europe, in which Chinese antiquities were stolen, chiefly those that came from the country’s old Summer Palace which was raided in 1860 by French soldiers. No one knows who the thieves are, but the works of art continually wind up back in China. Essentially, there’s a new generation of wealthy Chinese people who are collecting artifacts from the old Summer Palace. Is China’s government behind the art theft wave? The feature questions who gets to own art, and who gets to own history and culture.

In New York City in 1980, Dexter Mitchell plays half-willing big brother to his neighbors, a trio of exchange students from the People's Republic of China.

In New York City in 1980, Dexter Mitchell plays half-willing big brother to his neighbors, a trio of exchange students from the People's Republic of China.

Based on real-life events, the film recounts the efforts of the Wuhan medical staff as they attempt to deal with the rising cases of Covid-19.

A husband and wife lie to each other about their weekend travel plans, only to both show up at the family's country house with their lovers.

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Hoshino (Toshiro Yanagiba) is the mob-connected owner of a ritzy Chinese restaurant. One evening he’s sitting down in a lavishly appointed private room to enjoy an elaborate multicourse dinner, when he gets a call from a crooked politician of his acquaintance. A long-meditated money-laundering deal is about to bear fruit and earn him a cool 5 billion yen. The gang boss who backed him on this deal will be pleased. He is, understandably, in the mood for celebrating when an unexpected visitor (Izam) arrives — a tall, husky, mincing fellow in dreadlocks, with a gun. He is a hit man sent to whack Hoshino — but for what? The hit man neither explains nor kills; instead he sits down at the table and asks Hoshino when dinner is going to be served. Coolly, Hoshino calls in Chinese for the waitress, who enters, wearing a red, slit dress and an inscrutable expression, with the first course. The longest meal of Hoshino’s life has just begun.